Photo 13 Apr 329 notes nopewasntme:
Photo 6 Apr 501 notes bogarted:

Evelyn Brent

bogarted:

Evelyn Brent

Photo 5 Apr 93 notes ohdarlingdankeschoen:

Maude Fealy

ohdarlingdankeschoen:

Maude Fealy

via .
Photo 5 Apr 875 notes fuckyeahmodernflapper:

Dangerous charleston, 1926.

fuckyeahmodernflapper:

Dangerous charleston, 1926.

via א.
Photo 5 Apr 334 notes oorequiemoo:

Colette, 1909

oorequiemoo:

Colette, 1909

via א.
Photo 5 Apr 720 notes fuckyeahhistorycrushes:

Aino Sibelius (10.8.1871-8.6.1969) This beautiful lady was the wife of the Finnish national composer Jean Sibelius. She was a devoted in supporting her husband’s work and encouraged him to write symphonies even at time of financial distress. She also was concerned and depressed over his alcohol usage and couldn’t stand seeing him burn his manuscripts. Aino has been described as poetic and graceful person who was passionately against all worldly vanity. The ideological and ethical ideals of tolstoyism that she learned from her mother, Elisabeth Järnefelt, also strongly affected her world view. It’s been said that her rules of good conduct resembled the etiquette of the Winter Palace in St. Petersburg. Aino also was in charge of upbringing and education of their daughters. She was very dedicated and cared for them at the limits of her own endurance. Aino’s influence in their home is clearly visible in the fact that the house was named Ainola after her. She lived there even after her husband died till her own death and her presence is still clear in details of house’s decoration and her famous garden.

fuckyeahhistorycrushes:

Aino Sibelius (10.8.1871-8.6.1969) This beautiful lady was the wife of the Finnish national composer Jean Sibelius. She was a devoted in supporting her husband’s work and encouraged him to write symphonies even at time of financial distress. She also was concerned and depressed over his alcohol usage and couldn’t stand seeing him burn his manuscripts. Aino has been described as poetic and graceful person who was passionately against all worldly vanity. The ideological and ethical ideals of tolstoyism that she learned from her mother, Elisabeth Järnefelt, also strongly affected her world view. It’s been said that her rules of good conduct resembled the etiquette of the Winter Palace in St. Petersburg. Aino also was in charge of upbringing and education of their daughters. She was very dedicated and cared for them at the limits of her own endurance. Aino’s influence in their home is clearly visible in the fact that the house was named Ainola after her. She lived there even after her husband died till her own death and her presence is still clear in details of house’s decoration and her famous garden.

Video 29 Mar 1,169 notes

fuckindiva:

Appreciation post1930s divas

Photo 29 Mar 476 notes memoriastoica:

Madge Bellamy in White Zombie (Victor Halperin, 1932)

memoriastoica:

Madge Bellamy in White Zombie (Victor Halperin, 1932)

Photo 29 Mar 99,151 notes kyrafic:

"Never did like that much," is a baller and superb way to express your irritation with the way the patriarchy refuses to acknowledge how badass you are.

kyrafic:

"Never did like that much," is a baller and superb way to express your irritation with the way the patriarchy refuses to acknowledge how badass you are.

(Source: queenundomiel)

Photo 22 Mar 197 notes marypickfords:

Louise Brooks in Now We’re in the Air, 1927.

marypickfords:

Louise Brooks in Now We’re in the Air, 1927.

Photo 19 Mar 3,047 notes 
Veronica Lake by Whitey Schafer, publicity still for “I Wanted Wings”, 1941. (Best viewed large.)

Veronica Lake by Whitey Schafer, publicity still for “I Wanted Wings”, 1941. (Best viewed large.)

(Source: sparklejamesysparkle)

Photo 19 Mar 430 notes evadez-retro-vintage:

Le Ballet Mécanique: Dancers at Rudolf von Laban’s dance school (1929, Berlin).

evadez-retro-vintage:

Le Ballet Mécanique: Dancers at Rudolf von Laban’s dance school (1929, Berlin).

via .
Photo 11 Mar 375 notes my-little-time-machine:

Atlantic City 1905

my-little-time-machine:

Atlantic City 1905

(Source: mrsdentonorahippo)

Photo 11 Mar 844 notes forgottenantiquities:

Maude Adams as L’Aiglon, 1900.

forgottenantiquities:

Maude Adams as L’Aiglon, 1900.

Photo 8 Mar 29,562 notes the-seed-of-europe:

Two sailors ca. 1940-1945. An image featured in the “Love and War” exhibit at the Kinsey Institute Gallery. More info on the exhibit can be found here.
“The photo is usually seen cropped from the waist up, as it was in the 1980s when the activist organization ACT-UP used in it on a T-shirt in their Read My Lips campaign. But the print hanging in the Kinsey gallery is the original version. Below decks, the sailors’ flies are open, and they are, so to speak, crossing swords.”
 

the-seed-of-europe:

Two sailors ca. 1940-1945. An image featured in the “Love and War” exhibit at the Kinsey Institute Gallery. More info on the exhibit can be found here.

The photo is usually seen cropped from the waist up, as it was in the 1980s when the activist organization ACT-UP used in it on a T-shirt in their Read My Lips campaign. But the print hanging in the Kinsey gallery is the original version. Below decks, the sailors’ flies are open, and they are, so to speak, crossing swords.”

 

(Source: imjustwatchingyou)


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